1 | An oil sketch portrait of La Trobe by Sir Francis Grant, P.R.A. |
2 | Three folders of sketches by La Trobe: Tasmania; Tahiti; Home |
3 | The Alpenstock by C.J. La Trobe, 1829 |
4 | The pedestrian by C.J. La Trobe, 1832 |
5 | Manuscript journal of a German tour, 1822 |
6 | Manuscript journal of a journey in the Tyrol, 1829–1830 |
7 | Two manuscript journals of La Trobe's mission to the West Indies, 1837–1838 |
8 | Manuscript notebook kept by La Trobe in Australia, 1851–1854 |
9 | Notebooks of La Trobe's grandfather, copied by him in Baltimore in 1833 |
1 | The oil sketch portrait, 44.5 x 22 cm, of Charles Joseph La Trobe by Sir Francis Grant, P.R.A.
This is a small design for the full-scale portrait so well-known in Melbourne. The work, finished in 1855, featured for many years in La Trobe's Cottage at the Royal Botanic Gardens, and it now graces the Governor's Office in the Old Treasury Building, Melbourne. A full-size copy of this work was made by Grant in 1856 and donated to the La Trobe Picture Collection in 1954 by Mrs La Trobe Bateman.10 It hung for many years in the foyer of the La Trobe Library building. Grant was the most fashionable portrait painter of his day and was elected President of the Royal Academy in 1866. His sketch portrait of La Trobe is lively and rather more spontaneous than the completed work.
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2 | Three folders of sketches by La Trobe
Comprising 154 works, mostly in sepia wash, two or three to the page, mounted on card and labelled in ink with La Trobe's hand, they document La Trobe, artist and observer, and ever the traveller. Wherever he was, he sketched and painted the views before him, rather as the modern traveller today uses a camera. During his more than 90 expeditions on horseback throughout Victoria, La Trobe documented the Victorian landscape at a period very soon after European settlement had begun. Previously, he had sketched, in words and drawings, the awesome features of the Swiss Alps and the Tyrol.
The first of these folders comprises 56 sketches executed in Tasmania when La Trobe acted as Governor in 1846 after Sir John Eardley-Wilmot's abrupt dismissal. La Trobe provides contemporary “snap-shot” sketches of the topography and buildings of the parts of Tasmania he visited: the Derwent; Mount Wellington; Eagle Hawk Neck; the Freycinet Peninsula; Port Arthur — the Commandant's House and the Church; Maria Island; Lady Franklin's Museum; and New Norfolk, to name a few.
The second folder records in 58 sketches his homeward journey in 1854, on board the paddle-steamer, the Golden Age,11 when his term of office as Lieutenant-Governor of Victoria was over. The Golden Age, a wooden ship of 2,864 tons, owned by the New York and Australian Steam Navigation Company, was at the time of La Trobe's departure, a superior type of vessel, equipped with the latest in comfort to carry passengers on the Pacific run. La Trobe joined the vessel in Melbourne on 5 May 1854, departing from Sydney via Tahiti for Panama which was reached on 18 June.12 En route, he recorded views of Phillip Island, Norfolk Island, and features of the Tahitian landscape and Papeete, many from on board the Golden Age, as well as coastal profiles on the approach to Panama itself. This folder also contains three sketches carried out by La Trobe during the course of his mission to the West Indies in 1837.
Folder 3, titled “Home 1856”, comprises 40 sketches all executed in Kent during the first years of his retirement. There are numerous works documenting architectural features of Ightham Mote, now the property of the National Trust, which La Trobe leased for a short period in 1856. He found this house and garden and the surrounding farm buildings full of interest, and these sketches are among his best. The folder also includes views of Berling Church and Ryarsh Church near Ightham Mote, dating from 1857.
La Trobe was an accomplished amateur artist. While all these sketches reveal the artist's Romantic sensibility, they are also evidence of La Trobe, the amateur scientist, who discovered much of interest in geological formations and the natural sciences. |
3 & 4 | Copies of two of La Trobe's four published works
The Alpenstock; or, Sketches of Swiss scenery and manners (London, Seeley and Burnside, 1829) describes his solitary rambles in the Swiss Alps. The pedestrian: a summer's ramble in the Tyrol (London, Seeley and Burnside, 1832), bears an inscription in La Trobe's hand to “Madame la Comtesse de Salis-Soglio,
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a token of remembrance from her obliged and faithful friend, Chs. Josh. La Trobe. Paris. March 19, 1832”. It was into the de Salis-Soglio family that La Trobe's third daughter, Agnes, was to marry in later years. |
5 | Manuscript journal of a German tour, 1822
This is the earliest recorded work by La Trobe, written when he was 21 and on a visit to Germany with his father, Christian Ignatius La Trobe and three friends. The journal of 109 pages documents with boyish enthusiasm the tour itself to Calais, Dunkirk, Bruges, Ghent, Brussels, Cologne and Koblenz where La Trobe was intrigued by church architecture, music and the landscape. |
6 | Manuscript journal of a journey in the Tyrol, 1829–1830
La Trobe's published work, The pedestrian, encompasses part of this manuscript diary of 130 pages which documents in rather laborious detail his travels in the Tyrol. It does, however, contain a number of enlightening comments on La Trobe's character and attitude to life. Two additional short manuscripts accompany the lengthier journal. They are: ten pages of a diary for the first month of the journey; and 14 pages, which record the period in the winter of 1830/31 immediately following the events described in The pedestrian. La Trobe mentions in passing his friendship with the de Montmollin family of Neuchâtel, and describes his tour of Scotland and Ireland with the Comte de Pourtalès. The highlight of this tour was their breakfast with Sir Walter Scott at Abbotsford which La Trobe depicts in some detail. |
7 | Two manuscript journals of La Trobe's mission to the West Indies, 1837–1838
These two journals were kept by La Trobe during his assignment for the British Government in the West Indies where his brief was to assess the education system and to report on the use of funds assigned for this purpose. La Trobe's visit came shortly after the emancipation of 668,000 slaves in the British West Indies when the administration was in a state of turmoil, attempting to deal with the resultant dual problems of economic decline and the education of former slaves. La Trobe's private unpublished diary is important because of the new information it gives on the subject of education at that time in the West Indies, and the light it shines on La Trobe's personal development. La Trobe had a punishing schedule to adhere to in his inspection of numerous schools and churches, and his meetings with planters and clergy of all denominations.
These two notebooks formed the basis for La Trobe's report on his mission to the British Parliament in 1838.13 The Colonial Secretary, Lord Glenelg, was so impressed by La Trobe's report and the thoroughness of his work that he soon — within months — appointed him as Superintendent of the Port Phillip District of New South Wales. |
8 | Manuscript notebook kept by La Trobe in Australia, 1851–1854
This notebook is a commonplace book, or a type of scrapbook. It comprises 126 pages of notes, and philosophical phrases and thoughts written on scraps of paper and pasted onto blank pages. All are in La Trobe's hand and cover a myriad of
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subjects relating to life in the colony, including politics, the press, gold, Van Diemen's Land, the Aborigines, and geological and geographical snippets of information, such as that for Black Thursday (6 February 1851) when bush-fires swept across Victoria.Some of the notes, at times rather cryptic, shed light on the sensitive and unworldly nature of the writer who felt himself ill-equipped for his important role at a crucial time in Victoria's history. |
9 | Notebooks of La Trobe's grandfather, copied by Charles Joseph La Trobe in Baltimore in 1833
Comprising 132 pages, these journals contain information about La Trobe's grandfather, copied from the papers of his uncle, Benjamin Henry La Trobe, while Charles Joseph was touring America with the young Comte de Pourtalès. |
“Les deux hymens Neuchâtelois du premier gouverneur de l'état de Victoria”, Patrie Neuchateloise, vol.4, Neuchâtel, Messeiller, 1955, pp. 129–168. | |
Gross, Alan. Charles Joseph La Trobe. Melbourne, Melbourne University Press, 1956,p.6. | |
Ibid,p.7. | |
Victoria, the first century. Compiled by the Historical Sub-Committee of the Centenary Celebrations Council. Melbourne, Robertson & Mullens, 1934, p. 102. | |
Australians: historical statistics. Sydney, Fairfax, Syme & Weldon Associates, 1987, p.26. | |
Ritchie, Joan. “Charles Joseph La Trobe in Van Diemen's Land, 1846”. Tasmanian Historical Research Association Papers and proceedings, 23(1),21–24, 1976. | |
MS 13003. C.J. La Trobe papers. Box 76; Safe 3;MC 8, Dr4. | |
Great Britain. Colonial Office. CO448, 1A, 1858. | |
La Trobe family tree and genealogical tables, courtesy of Mrs Pamela La Trobe, Adelaide. | |
H30870, La Trobe Picture Collection provenance file. | |
Nicholson, Ian Hawkins. Log of logs. Yaroomba, Queensland, The Author, 1993, p.207. | |
Lawson, Will. Pacific steamers. Glasgow, Brown, Son & Ferguson, 1927, pp.29–32. | |
Great Britain. House of Commons Parliamentary Papers 1837–8, vol.48 Accounts & Papers, nos 113, 520; 1839, vol.34, no.35. |